Play Along Piano

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Bach

Nicolas

1:03	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	1	7	2	100%
		18	0	7	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	1	7	2	100%
		18	0	7	2	100%

Bach, Magnificat BWV 243: Et Misericordia

Mélisande

2:20	Est. Play Time
35	Measures
	1,143Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	0	10	3	100%
Violin	21	1	8	4	89%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	25	0	10	3	100%
Violin	21	1	8	4	89%
	18	5	7	4	89%
Viola	21	0	9	4	89%
A	16	0	6	3	74%
T	15	2	5	3	74%

BWV 639 — string arrangement for beginners

Alexander Evstyugov-Babaev

3:05	Est. Play Time
19	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
VC	24	9	3	100%
Vn	9	0	7	100%
Vn/Va	19	6	2	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
VC	24	9	3	100%
Vn	9	0	7	100%
Vn/Va	19	6	2	100%

March in D Major (BWV Anh. 122)

vinicarioca

1:13	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	0	3	6	100%
		16	0	2	2	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	0	3	6	100%
		16	0	2	2	92%

Pergolesi/Magatagan/BSG: Stabat Mater Dolorosa quartet

BSG

4:46	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	20	0	6	3	100%
Violin 1	23	0	8	8	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	20	6	3	100%
Violin 1	23	8	8	100%
Violin 2	21	7	8	100%
Viola	18	6	8	96%

BWV 243 10.Suscepit Israel

aspasd

1:51	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I.	16	0	4	5	100%
Violoncelo	18	0	4	3	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I.	16	4	5	100%
Violoncelo	18	4	3	100%
Alto.	14	4	5	97%
Soprano II.	15	5	5	89%
Oboe I./II.	7	0	1	78%

J. S. Bach: Arioso - Betrachte, meine Seele (aus Johannespassion, BWV 245)

BSG

2:00	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Liuto	15	0	4	2	89%
	25	0	9	4	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Liuto	15	4	2	89%
	25	9	4	100%
Cto	16	5	1	100%
Vn 1	18	7	1	100%
Vn 2	19	6	1	100%
Bass	16	5	4	83%

Gottes Zeit ist die allerbeste Zeit. BWV 106

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

Gedenke doch, mein Geist, zurücke (Aria) BWV 509

Bartók forever

0:51	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	8	3	4	100%
	18	0	4	2	100%
Sopran	16	0	5	4	71%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	8	3	4	100%
	18	0	4	2	100%
Sopran	16	0	5	4	71%

J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG

BSG

4:22	Est. Play Time
75	Measures
	1,889Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	21	0	7	6	100%
Realization	17	66	3	4	99%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	21	0	7	6	100%
Realization	17	66	3	4	99%
Continuo	20	0	5	3	99%
Violoncello	20	0	5	3	99%
Tenors	10	0	0	6	45%

Bist du bei mir - Stölzel (Notebook for Anna Magdalena Bach)

helen0brien

1:07	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	0	4	8	100%
		19	0	5	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	0	4	8	100%
		19	0	5	3	100%

Bach Stylistic Etude Nr. 1

Amy Pellegrini

0:18	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	0	11	1	100%
		22	24	10	1	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	0	11	1	100%
		22	24	10	1	100%

Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.

SDG

2:28	Est. Play Time
20	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	3	2	100%
	16	0	3	2	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	3	2	100%
	16	3	2	100%
Alto Recorder I	12	2	5	100%
Alto Recorder II	13	3	5	100%
Bass Recorder	13	2	4	100%
Bassoon	16	3	2	100%
Tenor Recorder	11	1	4	100%
Violoncello	16	3	2	100%

J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis

BSG

1:00	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	3	5	100%
Bass	17	0	5	3	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	3	5	100%
Bass	17	5	3	100%
Contrabass	17	5	3	100%
Soprano	8	0	4	100%
Tenor	9	1	4	100%